May 13, 2012. Monterey, California. Shooting roses from the side opens the door to myriad possibilities. I was unaware of most of them when I shot this. Imagine my surprise when I checked focus a moment later, magnifying the image to 100%, and was faced with a visage that took me straight to the New Mexico desert with Georgia O’Keeffe by my side.
I coined the word on the spot. A floral landscape. Florascape.
This is a case of the best camera is the one you have with you and necessity is the mother of invention. The camera was a 10-megapixel Canon s95. This image started as a tiny crop of the original — 300 by 200 pixels at most. I had to very carefully enlarge it about seven times just to work on it. There was lots of experimentation in post — all limited to selective sharpening, blurring and vibrance with Georgia looking over my shoulder offering gentle guidance. No painting filters. Never EVER! Then, as proof of concept I painstakingly enlarged it a step at a time to 10,800 by 7,200 pixels — 36 by 24 inches at 300 pixels per inch — to be able to print it large. I could take it to 72 by 48 if anyone’s interested.
(Canon s95. RAW processing in Adobe Camera Raw; Editing in Adobe Photoshop.)
More Fine-Art Photography at www.amagaphoto.com
Beautiful florascape!
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Thanks Liz! Certainly is a lot of color in there isn’t there?
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There is Michael.. it’s very rich and warm which is lovely – we’ve had a very wet, grey, cold start to winter and that colour is just what I need!
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Glad to give you a boost.
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bellissima! I love your work and Georgia…
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Grazie! I can almost to see her jabbing me in the ribs with her stiletto-sharp elbow and saying, “hey, watch it.” Then she would smile with a twinkle in her eye, and I would smile back. I like that thought.
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Well, blow me down! That is amazing and I love it.
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Thank you very much Paula. There are some more interesting takes on flowers and plants coming up.
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Michael – Love this amazing creation! Your explanations are extremely vivid too! Merci beacoup.
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Thank you very much!
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What a good abstraction. Even before I read your reference to O’Keeffe, New Mexico popped into my head, specifically adobe walls.
Have you thought of writing up your enlarging and sharpening techniques and submitting them to a photography magazine or website?
While florascape was original for you, others have already adopted the word. I did a search just now and got 320,000 hits.
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Thanks very much Steve. When I checked focus on my little s95, The scene just jumped out at me. The tiny crop that I used for my image just happened to be in the exact center of the frame, so when I zoomed into 100% on the camera I saw almost exactly what you see here minus the painterly post post-processing work.
No, I didn’t think of writing up my technique and it would’ve been something to do until last year when Topaz AI Gigapixel came out and made the whole task much easier. That software is quite effective. It does require a very powerful computer though. I have a 2018 MacBook Pro with a six core i9 CPU. But for the record, the technique was essentially do a bit of sharpening, using the smart sharpen filter in Photoshop, then blow it up no more than 33% then do a bit more sharpening and sometimes a bit of Gaussian blurring to mitigate the aliasing and then go up another 33% and so on. It worked on this image because there isn’t a whole lot of detail. It wouldn’t work on an image with intricate detail.
I looked up florascape as well and so far I see it’s mostly landscape contractors and designers. There are florascape groups on Flickr and Instagram but they appear to be mainly landscapes with with flowers in them.
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Two weeks ago I upgraded from my mid-2010 MacPro to a newly released iMac with an 8-core Intel i9 processor and 64 GB of memory. Processing large photographs on the old computer had been increasingly bogging down, so I figured it was time to do something about it.
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That computer is more powerful than a locomotive and can jump tall buildings in a single bound. If it had a chest, bullets would bounce off of it.
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I love this. Enter it in a competition.
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Thank you very much. I have. I won.
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Congrats.
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I love the balance between esthetics and technique that you strike with your art. It’s something that I find fascinating about artists in general (i.e. Wow! That’s beautiful. How did he do that?)
“Rose Mountains Sunset” is indeed a beautiful image. Thanks for the insight behind it.
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Thanks very much Frank. I don’t very often include notes on technique, but this image had such an interesting story that I just had to.
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Frank is ‘right on’ in his response to your insight and creativity.
I’ll add that you are an artist through and through.
A poet at heart comes to mind!!
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Thank you very much Carolyn. Now, if I could only stop blushing…
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I’m wondering if you do or would consider sharing your work with online galleries. I found this site today.
https://artplusmarketing.com/the-15-best-websites-to-sell-art-online-b0ea6fd8ffd5
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Thank you Brenda. I will have a look at that. I have another plan actually for the eventual marketing of my work. But I will take a look.
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Michael is your initial 300 by 200 crop also a 300 pixel resolution?
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Yes. That’s my standard working resolution.
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Interesting close-up study, Michael.
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Thank you. Stay tuned for more.
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It’s a beautiful image, Michael. Certainly, worth all the effort you put into it. There used to be a plug-in called Fractals or Resize (from ON1) that I heard was used to make small files large enough to be printed very large. I know it was used years ago when I worked at the George Eastman House to make some very big enlargements. I don’t know if it’s still available or if there has been a replacement (more than likely, since the original was over ten years ago). Personally, I’ve never used such a plugin but I suppose if they are still available and are effective in making good files it might not be a bad investment if you need to do a lot of this type of work.
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Thank you very much. I did this many years ago and did it the hard way. Now I’m using Topaz AI Gigapixel now. It works pretty well. Not perfect, but pretty well. It tests better than the ON1 product.
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Definitely goes to show you! It’s a beauty Michael
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Thanks very much Tina it was definitely worth the effort.
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Lovely
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Thank you.
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Very well seen, Michael and, as I read in your response to Steve, well processed too. Mountains indeed.
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Thank you very much Steve. These are all shots were the original photograph is simply a jumping-off point.
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I like the way the image morphs into different things – petals, orange peels, mammoth curtains…
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It does. It almost seems to move if you look at it long enough.
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Clever you! Wonderful work …
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Thanks Julie!
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Fab! I was intrigued by your image resizing
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Thank you. The thing about painstaking is that it involves pain. The Topaz software, while not perfect, does make it easier.
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I wouldn’t have the first idea how to go about it…..
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Years in advertising.
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Floral landscape! That is wonderful, and inspiring, and beautiful to boot.
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Thank you. It was a revelation. I still try for shots like that; they are few and far between.
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