August 14, 2020 — Sonoma County Coast, California
Hiding in the archives. Right out in the open, waiting to be found. Latest in the Wave Cave series. A little less tranquil than recent posts.
Fairly small crop of a 600mm shot (400mm on a 1.5 crop sensor). ISO 100, f/7.1, 1/600 sec.
(Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
The AuthorMichael Scandling
California based fine-art photographer featuring abstract, impressionist, and minimalist seascapes — near and distant — and floral-based images.
Fine-art photography can be seen at www.amagaphoto.com
All original images on this blog are copyright 2018, 2019, 2020, 2021 Michael Scandling. All rights reserved. No images on this site may be copied, duplicated, reused, published, or re-purposed in any way without express permission from the copyright owner, Michael Scandling.
Love how it looks like it’s suddenly frozen in action! Awesome.
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Perfect timing and eventhough it’s not as ‘tranquil’ as your last posts, it is in a sense of ‘cleansing’ (inner, if that makes sense!) 🙏
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Remarkable image, by the way!
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Thank you very much.
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🙏👌
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Thank you. In a sense. We are having very high temperatures here right now and I thought something cooling would be even more important than something calming.
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Ah… works that way too! 😉👌
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Nice shot! 😀
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Thanks!
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In the part above the center, I also saw ice.
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What you see is liquefied frozen water.
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I like the way you put that.
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Love the double meaning in your title — or at least, the double meaning I suspect is there: wind and currents rip-sawing waves, and Rip van Photographer waking to see a new way of processing an old photo.
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I didn’t intend the double meaning, but now that you mention it…
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Love the dynamism of this image, Michael. I am intrigued not only by the image itself but also by the fact that you thought to take it. I know that when I have a telephoto in my hand, this is not the kind of image that I would even think of capturing.
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I have been inspired for a couple of years by Rachael Talibart, but what I don’t want to do is copy her. (Although some shots I did in Iceland are pretty close to her style). I was shooting some waves this summer, and they weren’t large enough to be dramatic but then I saw amazing sculptural detail close up. Then I went on a quest for that.
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Very beautiful image. 🙂
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Thank you very much.
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Grab a wave, dude! Nicely captured. It’s surprising sometimes what we don’t see at first and you have surprised yourself, and us, often lately. “Liquefied frozen water”. 🙂
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Thank you very much, dude! Given the fast shutter speed I could say liquefied frozen water – frozen.
Given the smoke and extreme heat, I haven’t been out shooting recently. When I go to the archives it seems my perception is changing and I’m seeing possibilities I haven’t originally seen.
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Although I have not been housebound, even by the pandemic as we were encouraged to be out getting exercise responsibly…obviously not an option with a smoky atmosphere…I have still been resurrecting old files, some of which were decent and others that were not until new skills were developed. My post tonight is an example and I think possibly influenced by your use of parts of an image.
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I can hear the crash! I like your choice to zero in on the breaking edge instead of the foaming part. Full of energy!
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Thank you very much. You saw what I saw. I posted a vertical crop on Instagram. Completely different feel. I called it Closing Time.
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Cool Michael…reminds me of Michal Pelka works ☺️🤓💙smiles hedy
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Thank you for the very nice comparison! 😊
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