September 7, 2019 — Lake Tahoe. Second evening. Five second exposure, f/16, ISO 64. Yesterday’s post was almost exactly what came out of the camera. A bit of color optimization, removing a tiny bit of extraneous light on the left, and a 16×9 crop. That was it. Today’s image, on the other hand, received extensive tweaking, first in DxO PhotoLab and then in Photoshop. Most of the work went into bringing out the subtle color […]
September 6, 2019 — Lake Tahoe. The sun was down and the conditions were perfect for some ICM (Intentional Camera Movement) work looking across and around the lake. As the evening progressed, the shutter speeds declined. This one was made towards the end of the first night of spin: f/16 @ 8 seconds, ISO 64. This series is a test of my ruthlessness as an editor/curator. More to come. (Nikon D850, Tamron SP 24–70mm f/2.8 Di […]
August 6, 2019; Vevey, Switzerland. I promised another shot from this dizzying, dazzling, drenching day and here it is. Looking south from Vevey, twenty-three minutes after the first shot posted on August 7, facing the same direction. As the weather speculators are fond of saying, “rapidly changing conditions.” Quite a few pixels had their lives subtly but permanently altered on this one — all for a good cause. (Canon G7X II. RAW processing in DxO […]
August 25, 2019; Cuckmere Haven, The Seven Sisters, East Sussex. This is a follow-on to yesterday’s post. The day was such that we came to be standing quite happily knee-deep in the English Channel doing ICM (Intentional Camera Movement) shots of the water (yesterday) and the cliff named Haven Brow, which you see a vestige of above. Both shots are processed to a fare-thee-well — and done so with wild abandon equal to the shot […]
August 18, 2019; Estoril, Portugal. Just starting the third cup of coffee and another pastel de nata. Back to the conversation. I had put the camera away. Then I looked up and got it out again. (Check yesterday’s post to see how this started.) (Nikon D500, Tamron 100-400mm f/4.5-6.3 Di VC USD. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.)
August 7, 2019; Brienz, Switzerland. Shortly after our arrival in Brienz, Oliver took a few of us on a walk to Wildpark Brienz. Two of the species shown here are native to Switzerland. One is not. Your guess. Chamois Common Blue Butterfly Blue Hairstreak Snowy Owl (Nikon D500, Tamron 100-400 f/4.5-6.3 Di VC USD zoom. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.)
August 6, 2019; Vevey, Switzerland. Our first week in Switzerland was spent visiting old friends and meeting new ones. Wonderful in all ways, and proved just how friendly Switzerland really is, but not terribly productive photographically. On August 5 we began our workshop with Oliver Klink. It was a great day, and I learned some valuable lessons, but no keepers. August 6, however, was different. It was special in many ways. You’ll see how the […]
July 13, 2019, Back Deck. Roberta was born about two years ago and we’ve been watching her grow since she was a kitten. She comes around every six weeks or so, patrols the yard, and moves on. Sometimes she looks inside and watches us. More often she gives the house a wide berth. Last week she walked by about thirty feet away, heading for the steps on the deck. I grabbed the beast, confirmed that […]
Roses, like lilies, bloom as they are. But some stand out. And, as with lilies, gilding is superfluous. (Nikon D850, AF-S Micro NIKKOR 105mm f/2.8. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
…different take on the same original image. Some images lend themselves to many interpretations. I’m sure the rose herself had no idea she was so adaptable. (Nikon D850, AF-S Micro NIKKOR 105mm f/2.8. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
. . .reduction to pure form and tone. Much is removed. Some remains. (Nikon D850, AF-S Micro NIKKOR 105mm f/2.8. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
Intentional Camera Movement (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
Camera movement, not by accident. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
July 1 and 2, 2018, Near Waipara, New Zealand. We were staying in a remote location near the Greystone Winery. Our trip was nearing the end and I was losing hope of getting a good shot of my favorite New Zealand bird: the New Zealand fantail — the Maori names being Pīwakawaka, Tīwakawaka, or Piwaiwaka. The trouble was, being insectivores, they were in constant darting motion playing “you can’t catch me,” which made them very […]
June 28, 2018, Otago Peninsula, New Zealand. A one-day tour of Otago is like going to a gourmet restaurant, having the amuse bouche, and leaving — but there we were, and we were going to get everything out of our day that we could. Tony said it was very important that we get to the beach by 3:45. “Why?” “Because that’s when the penguins come home from work.” “Oh. Really? 3:45? Exactly?” “Within a very […]
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