June 20, 2018; Doubtful Sound, South Island, New Zealand. It was a beautiful day. First day of winter in the Southern Hemisphere. Bright sun. Not a cloud in the sky. Gorgeous. The air was crisp. Clean. Cold. Except this was our one and only day to photograph one of the most dramatic fjords in New Zealand. We wanted clouds. Mist. Fog. Dark dusky drama. Rain squalls. Rainbows. We got none of it. Mother Nature served […]
(Nikon D500, Nikon 200-500mm f/5.6 ED VR zoom. RAW processing in DxO PhotoLab, final editing in Adobe Photoshop.) More fine-art photography: www.amagaphoto.com
July 7, 2002. Bay of Fundy. My love of symmetry around a horizontal line goes way back. In fact, it goes much earlier than this. But this is my first satisfactory rendition using a digital camera. The camera was a Canon G2. Its resolution was a whopping four megapixels and the 34-102mm lens was not wide enough to capture the whole view — this is two shots stitched together in Photoshop 7.0 on a Mac PowerBook […]
I’ve been thinking about cold recently. As with all things, cold is relative. The landscape above shows Fox Glacier on the South Island of New Zealand. That’s cold. Here in the San Francisco Bay Area, the mid-40s in the daytime is cold for most of us. But I do know cold: I grew up in western New York State, where cold is cold. Sub-zero cold. Quiet cold. What got me thinking about cold was some […]
June 14, 2011, the Tate Britain, London. If I had to pick one favorite artist, it would be J.M.W. Turner. I think of his work as the bridge between Romanticism and Impressionism and in my opinion he often outdid both. I find his later work, especially, to be transcendent. In June 2011, my wife, nephew, and I went to Europe to visit family, surf (one of us), hike, and absorb culture. The first stop was […]
Abstract comes from Latin abstrahere “to pull away, detach.” Abstraction pulls away and detaches from the representational and moves into the conceptual. These were taken at Point Reyes near Chimney Rock. The views are 180° apart, taken within minutes of each other. One looks back toward Drake’s Bay and the hills of the Point Reyes peninsula. The other looks out to sea. (Nikon D850, Tamron 24-70mm f/2.8 G2.) More fine art photography at www.amagaphoto.com
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