All posts filed under: Abstract

Aluminum Sea

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Abstract / Impressionism / Inspiration / Monochrome / Photo Log / Photography / Seascapes

July 10, 2010. San Gregorio Bluffs, San Mateo County, California. On my way from Silicon Valley to San Francisco, I decided on the spur of the moment to take the scenic route. Web Cam showed some coastal clouds and I was hoping to get a sun-dappled sea. All I had with me was trusty MiniCam™ — my Canon G5X II. (The best camera is the one you have with you, so have something decent with […]

Silver Squall

comments 27
Abstract / California / Impressionism / Inspiration / Photo Log / Photography

Dec 24, 2018. Sonoma County Coast, California. Hidden in the Archives, waiting to be coaxed into being. Took some coaxing, but I believe the pixels are happy. (This is exactly what I said in the June 8, 2020 post. This shot was taken 54 seconds later. The technical info is corrected here, though.) (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)

Goin’ Back

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography

June 26, 2020 —Side of Mt.Tamalpais, Above Stinson Beach, Marin County, California ICM impression of an incoming fog bank. Years ago, someone — who was so much younger then — wondered what it was like to be inside a cloud. Years before that, another person — who was sooo much younger then — wondered what it was like to be inside the rings of Saturn. In both cases, wondering was more fun. A reminder that […]

As Turner Might Have Seen It. . .

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Point Reyes / Seascapes

June 19, 2020 — Point Reyes National Seashore, California . . .Had Turner been on the beach at Point Reyes with a camera. Which, of course, he wasn’t. This is an experiment in ICM — Intentional Camera Motion. As one might expect, the subject was moving as well, as waves are wont to do. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)

How Does it Feel?

comments 27
Abstract / Impressionism / Inspiration / Photo Log / Photography / Seascapes

August 13, 2006, Big Sur Coast, California / June 27, 2017, Silicon Valley, California Gray day. The streak on horizon was the appeal. It was all there was. Shoot. Crap shoot, really. This was long before I was shooting RAW, so no direction home in editing. Gray on gray on gray. Blah. Nothing. Ain’t it hard when I discovered that it really wasn’t where it’s at… It sat in archives for almost nine years. One […]

Submission

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Point Reyes / Seascapes

June 13, 2020. Silicon Valley, California. Submit. v. tr. 3. To present (something) to the consideration of judgement of another. Most of the other definitions involve demeaning oneself. Not something I cotton to. But that is the word used when one enters work into a juried exhibition and so that’s what I spent the better part of the past two days working on: selecting the works that I felt best represented the theme, on the […]

You’ve Got to Be Carefully Taught

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Positivity / Seascapes

April 7, 1949 — The Majestic Theatre, New York Lt. Cable: “It’s not born in you. It happens after you’re born. You’ve got to be taught to hate and fear You’ve got to be taught from year to year It’s got to be drummed in your dear little ear You’ve got to be carefully taught You’ve got to be taught to be afraid Of people whose eyes are oddly made And people whose skin is […]

Texture and Tone. Again.

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes

January 17, 2012 — Sonoma County Coast, California Returning with new eyes to a shot taken eight years ago. I’ve just competed a series of webinars by Bruce Percy. He describes himself as a black and white photographer working in color. His sensitivity to tonal balance is inspirational and very instructive. This shot is pretty much the same as the way I left it the last time I worked on it almost three years ago, […]