Fury
December 30, 2019 — Sonoma County Coast Working on a dream. More to come… (Nikon D500, Nikon 200-500mm f/5.6E ED VR zoom. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
December 30, 2019 — Sonoma County Coast Working on a dream. More to come… (Nikon D500, Nikon 200-500mm f/5.6E ED VR zoom. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 1, 2020 — Sonoma County Coast This is what it all boils down up to. (Nikon D500, Nikon 200-500mm f/5.6E ED VR zoom. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 1, 2020 — Sonoma County coast First it was the sound and fury. Then it was the form and color. Actually it was always the form and color. (Nikon D500, Nikon 200-500mm f/5.6E ED VR zoom. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 1, 2020 — Sonoma County coast The clouds parted. The sky drama left us. But the sea drama came to take its place. Weather alerts. High surf warnings. Rip currents. Watch out for sneaker waves. I saw a complete idiot take his cocker spaniel onto the beach, only to run back seconds later. He was bucking for a Darwin Award. I found a low, but safe, vantage point. Hundreds of frames were shot. This […]
Picking up from the December 31 post. But the storm wasn’t all Rothko. Something else was afoot with the weather. Maybe Mother Nature had been listening to Duke Ellington — as I have been recently — and misinterpreted Take the “A” Train as Take the A-Frame. Or something… I don’t know… (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.) More seascape horizons: www.amagaphoto.com
December 29, 2019 — Sonoma Coast, Afternoon It would seem, six hours later, that Turner was on vacation and Rothko was working overtime. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.) More seascape horizons: www.amagaphoto.com
December 29, 2019 — Sonoma Coast In her comment on yesterday’s post, Margot pointed out to me that stormy weather brings me Turner, while calm weather brings me Rothko. Wise and helpful words. But Mother Nature works in wonderful and mysterious ways. In the morning, her storm brought me Rothko. Who am I to refuse? The afternoon? Well, stay tuned… (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
December 28, 2019 — Sonoma Coast, this afternoon It has been said on this very blog, among other places, that the best photography happens in the worst weather. That’s where the drama is. Today was pleasant. Very pleasant. Not so dramatic, however. The weather prognosticators prognosticate drama for tomorrow. We shall see. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
December 26, 2018 — Sonoma Coast This was a year ago. Tomorrow? We shall see. (Nikon D500, Nikon AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR. RAW processing in DxO PhotoLab 2.0; Editing in Adobe Photoshop.)
November 27, 2019 — San Mateo County Coast Just one more thing, Mother Nature: If you think I was being a little harsh in my last post, I want to respectfully remind you of the wonderful show you put on for me just three weeks ago. (Nikon D500, Tamron 100-400mm f/4.5-6.3 Di VC USD. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
I want to propose something. Here’s the background: Last week, as I was driving home from an appointment, I crested the pass above Fremont and got a view across the bay and beyond the Santa Cruz Mountains toward the west. It looked promising for some dramatic horizon seascapes. Because I always have my pocket camera with me, I drove straight to the coast. My expectations mounted during the nearly an hour-and-a-half drive, but when I […]
November 27, 2019 — San Mateo County Coast It was a dark and stormy day; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the bluffs (for it is on the San Mateo County coast that our scene lies), attempting to remove his hat, but barely agitating the stubborn photographer who hand-held against all odds… Days later, through one of the […]
May 8, 2015. Devil’s Slide, near Pacifica, California / November 27, 2019. Silicon Valley. Devil’s Slide revisited. Again. I sat at the computer today, looking forward by looking back. The image whispered, “noir” and I went under its spell. I’d have been a fool not to. A strange image for Thanksgiving, but it it’s from a favorite shoot — for which I am thankful. And I am thankful to all who visit, follow, read, view, […]
April 6, 2013 — Sonoma coast. November 21, 2019 — Silicon Valley What struck me about this scene was the texture of the water below the creamy sky. It still strikes me. What struck me about the Sony RX100 was the notion of getting exhibition-sized prints out of a pocket camera. That notion stopped striking me years ago. The sticker on the front of the camera quietly proclaims Zeiss Optics. Zeiss. That means quality. Not so […]
August 25, 2019; Cuckmere Haven, The Seven Sisters, East Sussex. This is a follow-on to yesterday’s post. The day was such that we came to be standing quite happily knee-deep in the English Channel doing ICM (Intentional Camera Movement) shots of the water (yesterday) and the cliff named Haven Brow, which you see a vestige of above. Both shots are processed to a fare-thee-well — and done so with wild abandon equal to the shot […]