October 5, 2020 — San Francisco Bay, California The fog deck hung fully over the bay. Nothing more to say except that this could have been taken at 900 feet — which it was — or 30,000 feet. It would’ve looked the same either way. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.) PS — I’m getting disentangled from other activities and I shall return to […]
July 12, 2020 — Marin County Headlands, California; September 24, 2020 — My Office …realized. I woke up at 4 a.m. with a different treatment of an ICM image from a previous shoot in mind. I went back to sleep with a smile in my face. A few hours later, not even halfway through my first cup of coffee, there it was. And here it is. Despite what it says below, this was all done […]
December 29, 2019 — Sonoma County Coast, California; September 17, 2020 — My Office This was a throw-away in December, January, February. The sea was too rough. It was a regular shot; not long exposure. Colors were interesting but the sea was too rough. Too bad. So sad. Resurrected today. Deconstructed. Reconstructed. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
January 26, 2020 — Reynisfjara Viewpoint, Iceland; Yesterday, My Office, California Not exactly what was happening at the time, but what I saw in the first split instant that I saw it. It took a while to bring it into being. Split instants are like that. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
September 6, 2018 — West Shore Lake Tahoe, California Same shot as in yesterday’s post. I saw this interpretation in my mind’s eye last night, but it was too late to work on it. I put considerable time into it today. New observation: The more minimal and subtle the picture, the more time goes into it. But I was really hummin’. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. ISO 64, 1/2 sec at […]
September 6, 2018 — West Shore Lake Tahoe, California One of my first tries at Intentional Camera Motion. I’d given it a shot several years earlier and then let the idea drift. Then on this darkening September evening I sprang (well, really, twisted) back into action. I was originally inspired by Bay Area photographer, Audrey Heller, whose Linger Collection made me do just that. I’ll do a few more this weekend — like I did […]
June 9, 2013 — San Francisco, California I’d given this up for lost. The RX-100’s chromatic aberration on the edges had ruined it. Then I looked at another approach. This is a crop from the center, much massaged. Lots of selective sharpening and minus Clarity combined with selective increase and decrease in Vibrance. No fancy filters. Ever. An exercise in soft, made while listening to Derek Hunter Wilson’s new album — an exercise in soft […]
August 16, 2020 — Sonoma County Coast, California A blindingly bright afternoon. Calm day — but each wavelet was its own mirror, each adding to the millions of tiny suns out on the water. ICM — Intentional Camera Motion — does wonderful things with time and space as they combine in the camera in myriad mystical modes. Then in the computer, more magic happens. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in […]
August 14, 2020 — Sonoma County Coast, California More or less what happened in the fading anticrepuscular light. Almost. Sort of. (Nikon D850, Nikon 24-120mm f/4G VR. ISO 64, f/13, 75 sec. 10-stop neutral density filter. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
August 12, 2020 — Marin County Coast, California It’s easier to have one’s head in the clouds if the clouds are at or only slightly above sea level. The California coast is famous for sea-level clouds in the summer. We locals call it fog. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
August 4, 2020 — Berkeley, California Exploring new realms of minimalism in Intentional Camera Motion. (Nikon D500 Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
Note to email subscribers: To get a far better look at the picture, click on the title of the blog and you’ll be taken to the actual blog website. It’s always a much more satisfying view when you do this. July 27, 2020 — San Francisco Bay Area, California ICM experiment. ISO 64, 1.3 sec at f/9. But what is it? (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe […]
If you subscribe by email, please click on the blog title after you open the email. You’ll be taken to the actual blog, where the photo reproduction is much better than in the email. It’s always better to do this. July 25, 2020 — San Gregorio Bluffs, San Mateo County, California. Gertrude said, “There’s no there there.” Sometimes the less “there” there is, the more “there there” there is. There, I’ve said it. Gertrude was […]
July 10, 2010. San Gregorio Bluffs, San Mateo County, California. On my way from Silicon Valley to San Francisco, I decided on the spur of the moment to take the scenic route. Web Cam showed some coastal clouds and I was hoping to get a sun-dappled sea. All I had with me was trusty MiniCam™ — my Canon G5X II. (The best camera is the one you have with you, so have something decent with […]
Dec 24, 2018. Sonoma County Coast, California. Hidden in the Archives, waiting to be coaxed into being. Took some coaxing, but I believe the pixels are happy. (This is exactly what I said in the June 8, 2020 post. This shot was taken 54 seconds later. The technical info is corrected here, though.) (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
AMAGA Photography Blog 