September 1, 2018. Marin County Headlands, California. Standing on old gun emplacements that go back to the Spanish-American War. Sun going down. Fog rolling in.
This one spent hours in post-processing. Not one pixel was left untouched. The perfect balance that I so clearly saw in my mind was eluding me in the file. But it came. It crept up on me very slowly.
(Canon G7X II. RAW processing in DxO Pro; Editing in Adobe Photoshop.)
More Fine-Art Photography at www.amagaphoto.com
Like this:
Like Loading...
Related
The AuthorMichael Scandling
California based fine-art photographer featuring abstract, impressionist, and minimalist seascapes — near and distant — and floral-based images.
Fine-art photography can be seen at www.amagaphoto.com
All original images on this blog are copyright 2018, 2019, 2020 Michael Scandling. All rights reserved. No images on this site may be copied, duplicated, reused, published, or re-purposed in any way without express permission from the copyright owner, Michael Scandling.
The fog, on its silent haunches, made that processing and now our viewing such a meditative endeavor. Outstanding series.
Some folks don’t like to spend even two minutes on an image and others invest hours. An image lets one know how long it requires.
LikeLiked by 1 person
Thank you very much Steve. And you’re right about the processing time.
LikeLike
Beautiful soft, atmospheric, mysterious shot.
LikeLiked by 1 person
Thank you very much.
LikeLiked by 1 person
I recognise the difficulty with fog!! Lovely achievement.
LikeLiked by 2 people
Thank you very much. Easy, it was not. Rewarding, it is.
LikeLike
We could quip that you spent more and more time to achieve the look of less and less.
LikeLiked by 1 person
You could. And you would be right.
LikeLike
I’m speechless.
LikeLiked by 1 person
I am so gratified. The something/nothing balance was poised on the head of a pin, and could’ve fallen off in either direction as way too much or way too little. It was a matter of taking away everything that wasn’t the picture, without taking away the picture.
LikeLiked by 2 people
“Not one pixel was left untouched” … an ebb and flow of closeness and remoteness creating an intimacy between artist and image?
LikeLiked by 1 person
That’s a very nice statement of it. Thank you.
LikeLike
Fantastic shot, Michael. A lot of work yet you make it appear so effortless.
LikeLiked by 1 person
Thank you very much. It was definitely worth it.
LikeLike
Incredibly beautiful, Michael. “Not one pixel was left untouched”, Wow!!
LikeLiked by 1 person
Thanks Amy. I have to admit I didn’t actually count the affected pixels, but nonetheless I think that’s true.
LikeLiked by 1 person
I think so too. 🙂
LikeLiked by 1 person
I know just what you mean Michael. Some images are very much worth it – we know what the end must be, it’s the journey that gets us there.
LikeLiked by 1 person
Thank you. The journey is part of the reward; the result is the rest of it.
LikeLike
Reminds me of the smoke we had last week here…I did a IG capture of it…feels like I was there but I’m here 🤔😀 lovely abstraction Micheal
LikeLiked by 1 person
Thank you very much. As you can see in my original description and comments, it was not easy.
LikeLike
For all the quiet, there is a kind of explosive movement here that I love. There’s a sense of something very powerful at work. Needless to say, it’s a wonderful image!
LikeLiked by 1 person
Thank you very much. And you are absolutely correct. That fog was moving in fast and was changing from second to second. There was definitely something very powerful at work. In that sense, this photo, which I worked so long and hard on, is a snapshot.
LikeLiked by 1 person