All posts tagged: Michael Scandling Seascape

Palate Cleanser

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Abstract / California / Impressionism / Photo Log / Photography

May 8, 2015. Devil’s Slide, near Pacifica, California. For Chewy’s Birthday walk, we settled on two places: Land’s End in San Francisco and Devil’s slide. Chewy always loved the sea breeze. Highway 1 had years prior been routed through a tunnel at Devil’s Slide (that portion having lived up to its name far too often), leaving the old Highway 1 free to be used as a park with long stretches for Chewy to run and […]

East Sussex, August 25: Beachy Head Three Minutes Earlier

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Impressionism / Inspiration / Photo Log / Photography / Sunset

August 25, 2019; Beachy Head, The Seven Sisters, East Sussex. How calm is the blue hour? This calm. This seascape was shot three minutes (to the second) before the lighthouse image in the last post. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) For more seascape horizons, go to www.amagaphoto.com.

East Sussex, August 25: Beachy Head Lighthouse

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Photo Log / Photography / Sunset

August 25, 2019; Beachy Head, The Seven Sisters, East Sussex. Our trip started with a ten-day workshop with Oliver Klink and ended with a one-day workshop with Rachael Talibart. Both have been judged Black and White Photographer of the Year by globally respected publications. Both have deep and diverse backgrounds. Both are superb mentors. Both are wonderful human beings. Our cup runneth over. We knew at the outset that we weren’t going to get anything […]

Portugal, August 17: Atlantic Horizon Looking West

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Photo Log / Photography / Portugal / Seascapes

August 17, 2019; Caplela de Nossa Senhora de Peninha, Parque Natural de Sintra-Cascais. How could I be near a coastline and not do a horizon shot? The sea called and I answered. The unusual thing for me was looking west over the Atlantic. But not that unusual, because the sea, sun, clouds, and fog bank worked the same here as they do on the northern Sonoma County coast in California, which shares the same latitude. […]

Return to the Sea 3: Soft/Set

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes / Sunset

February 17, 2018; Big Sur Coast, California. What do you do when Mother Nature serves you a blah sky? Not a cloud. No fog to speak of. Just boring blue sky. You improvise in post-processing, that’s what you do. This is one of two treatments of this frame. Many pixels’ lives were forever changed. (Nikon D750, Nikon 28-300mm f/3.5-5.6G ED VR zoom. RAW processing in DxO Pro, Editing in Adobe Photoshop. More fine-art photography at […]

Return to the Sea 2: Rinse

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Abstract / Impressionism / Photo Log / Photography / Seascapes

May 31, 2016; Big Sur Coast, California. After having a really bad day, we drove down to the Big Sur coast — one of the most spiritual places in the world — for much needed soul cleansing. Long hikes, good food, and photography provided the thorough rinse-off we needed. This is one of five treatments of this one frame. Many pixels’ lives were forever changed. As were ours. (Nikon D750, Nikon 28-300mm f/3.5-5.6G ED VR […]

Drawn Away 2: Sprite Rising

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Abstract / Photography / Seascapes / Sunset

Today, in the United States, we celebrate Independence Day. It’s the anniversary of the day in 1776 when our forefathers said, “enough.” We declared ourselves independent of tyranny. We, as a culture, have been — and remain —  fiercely independent. We carry that spirit of independence as a badge of honor. And we should. We fought hard for these values: “We hold these truths to be self-evident, that all men are created equal, that they […]

Cat Feet

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes / Sunset

September 1, 2018. Marin County Headlands, California. Standing on old gun emplacements that go back to the Spanish-American War. Sun going down. Fog rolling in. This one spent hours in post-processing. Not one pixel was left untouched. The perfect balance that I so clearly saw in my mind was eluding me in the file. But it came. It crept up on me very slowly. (Canon G7X II. RAW processing in DxO Pro; Editing in Adobe […]

Silver/Streak

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes

December 24, 2017. The Sea Ranch, Sonoma Coast, California. Christmas Eve. A few hours before the previous post’s photo. The storm was coming in. The sky was threatening but the water was still flat calm. It all had a silvery glow that only winter can bestow. This is the essence. (Nikon D750; Nikon 28-300 f/3.5-5.6G Zoom. RAW processing in DxO Pro; Editing in Adobe Photoshop.) More Fine-Art Photography at www.amagaphoto.com

The Calm After the Storm

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California / Photography / Seascapes / Sunset

December 24, 2017. The Sea Ranch, Sonoma Coast, California. Christmas Eve. It was a dark and stormy night. Actually, to get my tenses correct, it had been a dark and stormy night. Now it was clearing. Outside it was gray-black. Then a glint of orange. Then black. Inside it was toasty warm. (Nikon D750; Nikon 28-300 f/3.5-5.6G Zoom. RAW processing in DxO Pro; Editing in Adobe Photoshop.) More Fine-Art Photography at www.amagaphoto.com

Another Day

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California / Photo Log / Photography / Seascapes / Ships

April 4, 2014. Marin County Headlands. My seascape horizon photographs are devoid of any vestige of land, for the most part; and they show no man-made objects at all. So this image will never be part of my Horizons collections. But this scene intrigued me in 2014 and it still intrigues me today. The first draw was and is the subtlety of color on the water. And the sky. But then there’s the ship. Container […]

Throwback Thursday

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Inspiration / Landscape / Photography / Seascapes / Throwback Thursday

July 7, 2002. Bay of Fundy. My love of symmetry around a horizontal line goes way back. In fact, it goes much earlier than this. But this is my first satisfactory rendition using a digital camera. The camera was a Canon G2. Its resolution was a whopping four megapixels and the 34-102mm lens was not wide enough to capture the whole view — this is two shots stitched together in Photoshop 7.0 on a Mac PowerBook […]