December 9, 2020 — Pacific Grove, California
The fog rolled in like a silent locomotive, stayed for a few minutes, and rolled out just as quickly. As I snatched each of the muffled succession of enshrouded waves, visions of exploring the limits of high key filled my mind.
(Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 4.1; Editing in Adobe Photoshop.)
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The AuthorMichael Scandling
California based fine-art photographer featuring abstract, impressionist, and minimalist seascapes — near and distant — and floral-based images.
Fine-art photography can be seen at www.amagaphoto.com
All original images on this blog are copyright 2018, 2019, 2020, 2021 Michael Scandling. All rights reserved. No images on this site may be copied, duplicated, reused, published, or re-purposed in any way without express permission from the copyright owner, Michael Scandling.
AMAGA Photography Blog 
Clicking to see the picture against a black background made the high-key image stand out more than it does on white.
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That is indeed the case. The “key” of an image has as much to do with contrast as it does with light/dark values. Stay tuned…
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I’m always tuned, except sometimes I get out of tune.
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We have much in common, my friend…
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To me, this brings trees in clouds to mind, like gazing up into the trees on a bright day. I like it very much, Michael.
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Thanks very much, Lynn. That’s an interesting view. Now I see it too.
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my eyes were invited to rest, the gentle touch of humidity
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Thanks, Brenda. Just what I had in mind.
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