December 9, 2020 — Pacific Grove, California The fog rolled in like a silent locomotive, stayed for a few minutes, and rolled out just as quickly. As I snatched each of the muffled succession of enshrouded waves, visions of exploring the limits of high key filled my mind. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 4.1; Editing in Adobe Photoshop.)
Jan 18, 2019, Point Reyes National Seashore; October 5, 2020, My Office. I’ve been absent from BlogLand™ for a while, working on a project. You might see the fruits of that after a while. Part of it is reworking some old favorites in a new way. This is one of those old favorites, a bit closer to what it looked like in the original shot — but not at all like what I’ve been working […]
January 1, 2020 — Sonoma County Coast. October 1, 2020 — My Office. Sometimes you move back to express the essence. Sometimes you move in. And sometimes, months later, you re-crop even tighter. Because with all the smoke and heat here in Northern California, I wanted something cool and cleansing. (Nikon D500, Nikon 200-500mm f/5.6E ED VR zoom. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
August 14, 2020 — Sonoma County Coast, California Hiding in the archives. Right out in the open, waiting to be found. Latest in the Wave Cave series. A little less tranquil than recent posts. Fairly small crop of a 600mm shot (400mm on a 1.5 crop sensor). ISO 100, f/7.1, 1/600 sec. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
September 6, 2018 — West Shore Lake Tahoe, California Same shot as in yesterday’s post. I saw this interpretation in my mind’s eye last night, but it was too late to work on it. I put considerable time into it today. New observation: The more minimal and subtle the picture, the more time goes into it. But I was really hummin’. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. ISO 64, 1/2 sec at […]
July 12, 2020 — Marin County Headlands, California I did a lot of ICM pans while waiting for the comet NEOWISE to appear over Mount Tamalpais on July 12. The RAW file of this shot had been sitting in archives since then, several times passed over as an also-ran. Today I saw it with new eyes. It had potential. Every single element took part in the slow pixel dance, changing color, tone, and contrast relationships […]
July 25, 2020 — San Gregorio Bluffs, San Mateo County, California. What light through yonder fog bank glows? A different take on my trip to San Gregorio. (Back to reality. Sort of.) (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
Note to email subscribers: To get a far better look at the picture, click on the title of the blog and you’ll be taken to the actual blog website. It’s always a much more satisfying view. July 13, 2018. San Gregorio Bluffs, San Mateo County, California. The bluffs over San Gregorio Beach are a favorite spot for me. They provide a high enough vantage point for me to see far out to sea with an […]
July 12, 2020 — Marin County, California More playing around with ICM while waiting for NEOWISE to appear. And playing around with editing. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 26, 2020 —Side of Mt.Tamalpais, Above Stinson Beach, Marin County, California ICM impression of an incoming fog bank. Years ago, someone — who was so much younger then — wondered what it was like to be inside a cloud. Years before that, another person — who was sooo much younger then — wondered what it was like to be inside the rings of Saturn. In both cases, wondering was more fun. A reminder that […]
June 26, 2020 — Mt. Tamalpais, Above Stinson Beach, California More ICM. Less abstract, more impressionist, than a lot of what I do. Still under the thrall of the nineteenth century. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 19, 2020 — Point Reyes National Seashore, California . . .Had Turner been on the beach at Point Reyes with a camera. Which, of course, he wasn’t. This is an experiment in ICM — Intentional Camera Motion. As one might expect, the subject was moving as well, as waves are wont to do. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
August 13, 2006, Big Sur Coast, California / June 17, 2020, Silicon Valley, California Several months ago, Bruce Percy inverted some of his images to create, essentially, photo negatives. It worked rather well. I thought I’d try it. (Canon 20D, Canon 24-105 f/4 Zoom. Editing in Adobe Photoshop.)
August 13, 2006, Big Sur Coast, California / June 27, 2017, Silicon Valley, California Gray day. The streak on horizon was the appeal. It was all there was. Shoot. Crap shoot, really. This was long before I was shooting RAW, so no direction home in editing. Gray on gray on gray. Blah. Nothing. Ain’t it hard when I discovered that it really wasn’t where it’s at… It sat in archives for almost nine years. One […]
June 28, 1018 — Cape Saunders, Otago Peninsula, South Island, New Zealand Forty-five seconds later. Stirred, not shaken. With a twist. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.) For more Abstract Horizons, go to www.amagaphoto.com
