All posts filed under: Impressionism

Something > Nothing > Something

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes

December 29, 2019 — Sonoma County Coast, California; September 17, 2020 — My Office This was a throw-away in December, January, February. The sea was too rough. It was a regular shot; not long exposure. Colors were interesting but the sea was too rough. Too bad. So sad. Resurrected today. Deconstructed. Reconstructed. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)

Reynisfjara Blues

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Horizon / Impressionism / Inspiration / Photo Log / Photography / Seascapes

January 26, 2020 — Reynisfjara Viewpoint, Iceland; Yesterday, My Office, California Not exactly what was happening at the time, but what I saw in the first split instant that I saw it. It took a while to bring it into being. Split instants are like that. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)

Around and Around and Around and Around We Go Again

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Abstract / California / ICM / Impressionism / Inspiration / Photo Log / Photography / Seascapes

September 6, 2018 — West Shore Lake Tahoe, California Same shot as in yesterday’s post. I saw this interpretation in my mind’s eye last night, but it was too late to work on it. I put considerable time into it today. New observation: The more minimal and subtle the picture, the more time goes into it. But I was really hummin’. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. ISO 64, 1/2 sec at […]

Soft Rescue

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California / Impressionism / Inspiration / Photo Log / Photography / Seascapes

June 9, 2013 — San Francisco, California I’d given this up for lost. The RX-100’s chromatic aberration on the edges had ruined it. Then I looked at another approach. This is a crop from the center, much massaged. Lots of selective sharpening and minus Clarity combined with selective increase and decrease in Vibrance. No fancy filters. Ever. An exercise in soft, made while listening to Derek Hunter Wilson’s new album — an exercise in soft […]

Specular / Diffuse

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Abstract / California / ICM / Impressionism / Inspiration / Photo Log / Photography / Seascapes

August 16, 2020 — Sonoma County Coast, California A blindingly bright afternoon. Calm day — but each wavelet was its own mirror, each adding to the millions of tiny suns out on the water. ICM — Intentional Camera Motion — does wonderful things with time and space as they combine in the camera in myriad mystical modes. Then in the computer, more magic happens. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in […]

Pal in Drome

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Abstract / Horizon / ICM / Impressionism / Photo Log / Photography / Seascapes

August 17, 2020 — Sonoma County Coast, California There was a guy in England, an RAF officer, he was. A cracking good pilot. He lived at the RAF Aerodrome, which he and all his mates called the ’Drome. He was an affable guy; extremely well thought of. Popular. He had an easy way about him. He also had a unique talent. He was completely ambidextrous. No matter what he did, he could do equally well […]

…in the air. Not Deep Purple.

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Abstract / California / ICM / Impressionism / Landscapes / Photo Log / Photography / Seascapes

August 18, 2020 — Sonoma County Coast, California This time looking south. Camera was moved, intentionally. Again. A very different evening. There had been lightning a couple nights previous. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)

Head in the Clouds

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography

August 12, 2020 — Marin County Coast, California It’s easier to have one’s head in the clouds if the clouds are at or only slightly above sea level. The California coast is famous for sea-level clouds in the summer. We locals call it fog. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)