And Moses, he knowses his toeses aren’t roses As Moses supposes his toeses to be. With thanks to Gene Kelly, who got it from an earlier version published in 1888. (Nikon D850, AF-S VR Micro Nikkor 105mm f/2.8G IF-ED. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop. More fine-art photography at www.amagaphoto.com
…his toeses are roses… (Regardless of the accuracy — or not — of Moses’s supposition, he was careful to watch the RGB histogram and underexpose 1.7 stops to keep from blowing out the red channel.) (Nikon D850, AF-S VR Micro Nikkor 105mm f/2.8G IF-ED. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine-art photography at www.amagaphoto.com
Roses, like lilies, bloom as they are. But some stand out. And, as with lilies, gilding is superfluous. (Nikon D850, AF-S Micro NIKKOR 105mm f/2.8. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
…on the same day, a different model. This one had an endearing tendency to blush. The challenge is maintaining a balance between nuance and nothing. (Nikon D850, AF-S Micro NIKKOR 105mm f/2.8. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
…different take on the same original image. Some images lend themselves to many interpretations. I’m sure the rose herself had no idea she was so adaptable. (Nikon D850, AF-S Micro NIKKOR 105mm f/2.8. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
. . .reduction to pure form and tone. Much is removed. Some remains. (Nikon D850, AF-S Micro NIKKOR 105mm f/2.8. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
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