November 6, 2020 — Point Reyes National Seashore, California The surf was particularly exuberant yesterday. Almost as if it knew something was about to happen. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 4.0.1; Editing in Adobe Photoshop.) PS — I’m still deeply engaged in other activities and I shall return to regular blogging and to reading blogs as soon as I can. You’ll like what you see.
October 5, 2020 — San Francisco Bay, California The fog deck hung fully over the bay. Nothing more to say except that this could have been taken at 900 feet — which it was — or 30,000 feet. It would’ve looked the same either way. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.) PS — I’m getting disentangled from other activities and I shall return to […]
Jan 18, 2019, Point Reyes National Seashore; October 5, 2020, My Office. I’ve been absent from BlogLand™ for a while, working on a project. You might see the fruits of that after a while. Part of it is reworking some old favorites in a new way. This is one of those old favorites, a bit closer to what it looked like in the original shot — but not at all like what I’ve been working […]
January 1, 2020 — Sonoma County Coast. October 1, 2020 — My Office. Sometimes you move back to express the essence. Sometimes you move in. And sometimes, months later, you re-crop even tighter. Because with all the smoke and heat here in Northern California, I wanted something cool and cleansing. (Nikon D500, Nikon 200-500mm f/5.6E ED VR zoom. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
December 10, 2019 — San Mateo County Coast, California The film, Bagdad Café, has a haunting theme. The story takes place in the desert. This is not the desert. But the theme works. Originally posted months ago — but as I said, it was calling me. (Canon G5X II. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 26, 2020 — The Thórbergur Center, South Coast, Iceland Minimalist mountain, even more minimally. Redone for a competition entry. Closer to what I originally had in mind. (Canon G5X II. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
July 12, 2020 — Marin County Headlands, California; September 24, 2020 — My Office …realized. I woke up at 4 a.m. with a different treatment of an ICM image from a previous shoot in mind. I went back to sleep with a smile in my face. A few hours later, not even halfway through my first cup of coffee, there it was. And here it is. Despite what it says below, this was all done […]
December 29, 2019 — Sonoma County Coast, California; September 21, 2020 — My Office …but what I had ordered. Mother nature didn’t see what I’d had in mind, so I had to help her. Better late than never. Proof that Rothko made his mark on me. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
July 25, 2020 — San Mateo County Coast, California; September 20, 2020 — My Office Revisiting the same shot that was featured in the September 12 post. Same shot; different crop. Looking at this while absorbing the current scene led me to make the following observation: On either side of the line can be an infinity of nuance. But the line itself? Sharp. No ambiguity. That’s one reason why these views of the horizon bring […]
August 14, 2020 — Sonoma County Coast, California; September 17, 2020 — My Office This was another “nothing” photoshoot. I was playing with Intentional Camera Motion while waiting for the sun to go down and the Belt of Venus to appear for the shot I had in mind. That shot met expectations. The ICMs — not so much. Not on first look. Or second. Or third. Today I wondered if there was anything there after […]
December 29, 2019 — Sonoma County Coast, California; September 17, 2020 — My Office This was a throw-away in December, January, February. The sea was too rough. It was a regular shot; not long exposure. Colors were interesting but the sea was too rough. Too bad. So sad. Resurrected today. Deconstructed. Reconstructed. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
January 26, 2020 — Reynisfjara Viewpoint, Iceland; Yesterday, My Office, California Not exactly what was happening at the time, but what I saw in the first split instant that I saw it. It took a while to bring it into being. Split instants are like that. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
September 11, 2020 — My Office, California Creating space like this is the only way I can breathe. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing and initial editing in DxO PhotoLab 3.3; Final editing in Adobe Photoshop.)
September 6, 2018 — West Shore Lake Tahoe, California Same shot as in yesterday’s post. I saw this interpretation in my mind’s eye last night, but it was too late to work on it. I put considerable time into it today. New observation: The more minimal and subtle the picture, the more time goes into it. But I was really hummin’. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. ISO 64, 1/2 sec at […]
September 6, 2018 — West Shore Lake Tahoe, California One of my first tries at Intentional Camera Motion. I’d given it a shot several years earlier and then let the idea drift. Then on this darkening September evening I sprang (well, really, twisted) back into action. I was originally inspired by Bay Area photographer, Audrey Heller, whose Linger Collection made me do just that. I’ll do a few more this weekend — like I did […]
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