Dec 7, 2018. Chimney Rock Trail, Point Reyes National Seashore, California. The cliffs over Drakes Bay stand perfectly still. They can be a moving experience. (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.)
Dec 24, 2018. Sonoma County Coast, California. Hidden in the Archives, waiting to be coaxed into being. Took some coaxing, but I believe the pixels are happy. (This is exactly what I said in the June 8, 2020 post. This shot was taken 54 seconds later. The technical info is corrected here, though.) (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 26, 2020 —Side of Mt.Tamalpais, Above Stinson Beach, Marin County, California ICM impression of an incoming fog bank. Years ago, someone — who was so much younger then — wondered what it was like to be inside a cloud. Years before that, another person — who was sooo much younger then — wondered what it was like to be inside the rings of Saturn. In both cases, wondering was more fun. A reminder that […]
June 26, 2020 — Mt. Tamalpais, Above Stinson Beach, California More ICM. Less abstract, more impressionist, than a lot of what I do. Still under the thrall of the nineteenth century. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 19, 2020 — Point Reyes National Seashore, California . . .Had Turner been on the beach at Point Reyes with a camera. Which, of course, he wasn’t. This is an experiment in ICM — Intentional Camera Motion. As one might expect, the subject was moving as well, as waves are wont to do. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
Dec 24, 2018. Sonoma County Coast, California. Hidden in the Archives, waiting to be coaxed into being. Took some coaxing, but I believe the pixels are happy. (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 28, 1018 — Cape Saunders, Otago Peninsula, South Island, New Zealand Forty-five seconds later. Stirred, not shaken. With a twist. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.) For more Abstract Horizons, go to www.amagaphoto.com
June 28, 1018 — Cape Saunders, Otago Peninsula, South Island, New Zealand Just a half a minute later, three seconds of intentional camera movement. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.) For more Abstract Horizons, go to www.amagaphoto.com
September 7, 2019 — Lake Tahoe. f/16, 4 seconds, ISO 64. Pan to the left. After a brief hiatus, one more. This is not too different from what originally emerged from the camera — but a bit reduced in vibrancy as a salute to Jerry and Robert who were somewhat minimalist themselves at times. Coming up on a year in the blogosphere. Thinking of a suitable celebration. Stay tuned… (Nikon D850, Tamron SP 24–70mm f/2.8 Di […]
September 7, 2019 — Lake Tahoe. f/16, 4 seconds, ISO 64. Pan to the left. This is the longest uninterrupted series I’ve done so far on this blog. Your comments have been interesting, informative, and gratifying. A number of people have asked in comments, email, and in person, to see a “before” image. I don’t usually like to discuss technique because I think it’s potentially limiting: I don’t want it to come off as “do […]
September 7, 2019 — Lake Tahoe. Earlier in the evening. f/16, 3 seconds, ISO 64. Pan to the left. In the past few days, many words on the subject of going in the nonobvious direction have passed through my eyes. Aside from being interesting advice for life, photographically this applies to both the initial creation of the image — click — and to the post-processing of the image. A recurring theme for me has been […]
September 7, 2019 — Lake Tahoe. Getting even later. Getting even darker. Still at f/10. Now 15 seconds at ISO 64. Pan to the left and back to the right with a twist. Luke’s mentor advised him to use the Force. My mentors have advised me to embrace and use the conditions before me. There were lights before me. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 2.3; Editing […]
September 7, 2019 — Lake Tahoe. Getting later. Getting darker. I opened up to f/10 to let in a little more light, and let it go for 10 seconds at ISO 64. Click. Slow pan to the left and back to the right. Clack. In dealing with abstracts, all of the hard-and-fast “rules” go out the window. The only consideration left in post-processing is “what do I want to show?” Something in the image suggests […]
September 7, 2019 — Lake Tahoe. Second evening. Five second exposure, f/16, ISO 64. Yesterday’s post was almost exactly what came out of the camera. A bit of color optimization, removing a tiny bit of extraneous light on the left, and a 16×9 crop. That was it. Today’s image, on the other hand, received extensive tweaking, first in DxO PhotoLab and then in Photoshop. Most of the work went into bringing out the subtle color […]
September 6, 2019 — Lake Tahoe. The sun was down and the conditions were perfect for some ICM (Intentional Camera Movement) work looking across and around the lake. As the evening progressed, the shutter speeds declined. This one was made towards the end of the first night of spin: f/16 @ 8 seconds, ISO 64. This series is a test of my ruthlessness as an editor/curator. More to come. (Nikon D850, Tamron SP 24–70mm f/2.8 Di […]
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