Drawn Away 3: After Sunset
Intentional Camera Movement (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
All posts tagged: intentional camera movement
Drawn Away 2: Sprite Rising
Today, in the United States, we celebrate Independence Day. It’s the anniversary of the day in 1776 when our forefathers said, “enough.” We declared ourselves independent of tyranny. We, as a culture, have been — and remain — fiercely independent. We carry that spirit of independence as a badge of honor. And we should. We fought hard for these values: “We hold these truths to be self-evident, that all men are created equal, that they […]
Drawn Away 1
Camera movement, not by accident. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
Distant Shores
December 7 and 8, 2018, Point Reyes National Seashore. Horizons are beautiful in their simplicity. Engaging in their subtle complexity. Their moods are varied. They have endless color and texture possibilities. For all these reasons I never tire of them. But there’s another reason as well. Horizons are calming. Soothing. Stabilizing. Horizons are therapeutic. Stand on a bluff looking outward over the sea for only a few minutes, and if you’re like most people you’ll […]
Unfinished Turner / Unfinished Turn
June 14, 2011, the Tate Britain, London. If I had to pick one favorite artist, it would be J.M.W. Turner. I think of his work as the bridge between Romanticism and Impressionism and in my opinion he often outdid both. I find his later work, especially, to be transcendent. In June 2011, my wife, nephew, and I went to Europe to visit family, surf (one of us), hike, and absorb culture. The first stop was […]
Ab • Stract
Abstract comes from Latin abstrahere “to pull away, detach.” Abstraction pulls away and detaches from the representational and moves into the conceptual. These were taken at Point Reyes near Chimney Rock. The views are 180° apart, taken within minutes of each other. One looks back toward Drake’s Bay and the hills of the Point Reyes peninsula. The other looks out to sea. (Nikon D850, Tamron 24-70mm f/2.8 G2.) More fine art photography at www.amagaphoto.com
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