Poppy: Essence
March 5, 2020 — Los Gatos Creek Trail, California A distillation. (Nikon D850, AF-S VR Micro Nikkor 105mm f/2.8G IF-ED. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.) More fine-art photography at www.amagaphoto.com
March 5, 2020 — Los Gatos Creek Trail, California A distillation. (Nikon D850, AF-S VR Micro Nikkor 105mm f/2.8G IF-ED. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.) More fine-art photography at www.amagaphoto.com
February 20, 2020 — Los Gatos Creek Trail, California A floral palindrome. Mother Nature is very accommodating in giving me a place to start. (Nikon D850, AF-S VR Micro Nikkor 105mm f/2.8G IF-ED. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.) More fine-art photography at www.amagaphoto.com
March 22, 2020 — San Mateo County Coast, California What a diff’rence a crop made Ten percent’s left of pixels And to pixels that were nixel’d — You’ll be mourned; but this is unadorned Though panorama has attraction There is soul in abstraction We see only a fraction But the essence is clear Oh, what a diff’rence a crop makes Form and tone lay before me Skies above are not stormy Since that […]
March 22, 2020 — San Mateo County Coast, California The lives of many pixels were changed forever in the creation of this image. I hope they’re happy. Be well. Do good. Create. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)
March 22, 2020 — San Mateo County Coast, California On Sunday, we took a ride along the coast. We were alone. The Pacific was calm… We returned to California on February 2 when the virus situation was just brewing. In the next six weeks the world was plunged into turmoil. These are uncertain times and as a general rule, people don’t deal with uncertainty very well. I’ve seen an entire spectrum of reactions and responses […]
January 27, 2020 — Jökulsárlón, South Coast, Iceland Only when the last post actually published did I realize it might be just a bit on the bleak, somber side. That’s not how I want to leave Iceland, nor is it the parting thought of Iceland that I want to leave for you. Here’s something a bit more on the bright side. Now we’ll move on… (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab […]
January 26, 2020 — Reynisfjara (Black Sand) Beach, Iceland We’ve been home since the second of February. There has been enough time to sift through the bounty and select the best and you’ve seen quite a bit. It’s very possible that more will pop up after they’ve had a chance to marinate on the archive drive for a while. We shall see. One thing is certain: we will go back. One more thing: Iceland has […]
January 25, 2020 — Kirkjufellsfoss, Snaefellsjökull Peninsula, Iceland Ten minutes before sunrise. No place does blue hour like Iceland. And it’s amazing how much a tripod with a five-pound camera can act like a sail in a strong wind. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 26, 2020 — Black Sand Beach, Vik, Iceland The North Atlantic shows no mercy because it has no mercy. But time has even less. The same wave as in the February 9 post, just three seconds later. Ferocious to the end. (Nikon D850, Tamron 100–400mm f/4.5–6.3 Di VC USD G2. processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 26, 2020 — Jökulsárlón, South Coast, Iceland Taken about a half-hour before the image in yesterday’s post — looking north, rather than east. The clouds and mist were in constant motion. Indeed, much of the time the mountains were obscured by clouds. My February 15 post shows one dramatic moment. The image above shows a pause in the turmoil of the cloudy cauldron. Still wondering if JMW Turner would’ve liked Pink Floyd. (Nikon D850, […]
January 26, 2020 — Jökulsárlón, South Coast, Iceland Iceland’s south coast has lots of berms. The ones parallel to the beach are breakwaters and, presumably, the ones perpendicular to the beach are for flood control. Iceland also has lots of clouds — at least in the winter. This photograph has both. Iceland also has powerlines, which — much to my annoyance — clutter what would otherwise be many great shots. I normally do all I […]
January 23, 2020 — Snaefellsjökull Peninsula, Iceland Iceland is volcanic. Very. Many mountains are volcanic black. Rocks are black. Sand is black. Snow, however, is white. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 26, 2020 — The Thórbergur Center, Hali Country Hotel, South Coast, Iceland In a recent blog post, Bruce Percy articulated an aim I’ve had for quite a long time. I’ll quote him: “For me, a picture isn’t about what is there. It’s not about trees, snow, sky, mountains, rivers, etc, etc. Instead, photos are about graphical forms and tone. They are pictures instead of photos. It’s a subtle difference, but a difference nonetheless.” To […]
January 26, 2020 — The Thórbergur Center, Hali Country Hotel, South Coast, Iceland Same scene as the last post, but simplified and in other ways edited to bring out something closer to the essence of what I saw. The changes are in most ways not huge — but in one way, sweeping. It’s more than just a crop. Stay tuned… (Canon G5X II. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)
January 26, 2020 — The Thórbergur Center, Hali Country Hotel, South Coast, Iceland Shot a few minutes after the image in the last post. Looking a bit further east. Unlike the last image, not a lot of post-processing work here. Despite its monochromatic appearance, this is a color photograph. Stay tuned… (Canon G5X II. RAW processing in DxO PhotoLab 3.1; Editing in Adobe Photoshop.)