Seurat/Rothko

comments 28
Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes / Sunset

DSC_4050_DxO11FCBlog

April 15, 2015 — Windy Hill, Woodside, California

I was going to post something else today, but a look at an Instagram post by Óli Haukur inspired me to show this instead.

Oli made the point that most photography instructors stress low ISO settings for low noise and therefore “best” image quality. Image quality these days seems to be based solely on low noise and extreme sharpness. His opinion is that, based on these criteria, many images come out so clean as to look computer-generated. The words I use are “plastic” and “clinical.”

I think that’s fine if that’s what you really want. I don’t usually want it. Usually when I’m working on images, I’m careful not to use too much noise reduction for that exact reason. I intentionally leave a bit of noise in the picture and I often selectively soften parts of my pictures.

In light of that, it doesn’t seem so ironic that as a photographer, many of my influences are painters. Mark Rothko is one, as many of you know. But Georges Seurat is another. He is considered to be the father of pointillism — the use of small dots of pure color to create a picture.

This view of the distant ocean horizon was shot long after sunset, hand-held. The ISO was 5000. It looked pretty blah right out of the camera, but in the contrast between ocean and sky I saw a potential for something more abstract and Impressionist. To that end, I cranked up the vibrance and saturation to make the colors bolder than bold and turned the noise reduction off completely. Then to really bring it home I used “too much” unsharp mask the increase the noise.

And there you go. An homage to two painters at once. It wouldn’t have worked without the noise. Ask Georges.

(Nikon D750; Nikon 28-300mm f/3.5-5.6G ED VR Zoom. RAW processing in DxO PhotoLab 3.2. Final editing in Adobe Photoshop.)

The Author

California based fine-art photographer featuring abstract, impressionist, and minimalist seascapes — near and distant — and floral-based images. Fine-art photography can be seen at www.amagaphoto.com All original images on this blog are copyright 2018, 2019, 2020 Michael Scandling. All rights reserved. No images on this site may be copied, duplicated, reused, published, or re-purposed in any way without express permission from the copyright owner, Michael Scandling.

28 Comments

  1. It’s valuable to understand our influences and I appreciate knowing yours. This is both soft and bold and quite pleasing.
    Now, let’s see if this shows up as a comment. I see that there are five other comments yet none are visible.

    Liked by 1 person

  2. Sometimes I feel the whole industry is geared towards total image perfection. Initially those photos make you go, wow / look at the depth / you can see everything . But after a while I get bored looking at them, as you say it looks clinical.
    Regards
    AK

    Liked by 1 person

  3. so while I been inspired by your “texture and tone” image…today, I’m dancing through colors as I move from one bit of noise (music) to another 🙂 Thank you for the introduction to Óli Haukur.

    Liked by 1 person

    • Thank you, Brenda. Óli is a great guy and a really good photographer. Check out his videos on his website. His advice is very practical and his language is “colorful.”

      Like

  4. Excellent post, Michael, and image; very interesting. And I think that “Image quality these days seems to be based solely on low noise and extreme sharpness.” says it all. I subscribe to Amateur Photographer magazine, and the great majority of readers’ (and others’) photos presented there are taken at 100-200 ISO, which to me betrays a great lack of imagination.

    And Rothko certainly >>> but its wonderful that you should also mention Georges Seurat >>> “Sunday Afternoon on the island of La Grande Jatte, 1884” has long been a huge favourite of mine – and an inspiration too. 🙂

    Liked by 1 person

    • Thank you very much. It’s amazing how little I worry about my ISO setting. My cameras are often set to Auto ISO as a matter of fact. For most of my Horisont images and most of my floral images I do want low noise and try to shoot at ISO 64 or 100 depending upon which camera body I’m using. For wildlife, it’s almost always on Auto. For performance photography always Auto. My only prime lens is my Nikon 105 mm f/2.8 macro. Everything else is zoom, so there’s a compromise and image quality right there. But, they buy me versatility and my first motto is, “get the shot.“ I grew up shooting Kodak tri-X. Really grainy. I loved it. Most of the photographers who influenced me were, along with the classic photographers of the first half of the 20th century that everybody admires, some lesserknown photographers of the 50s, 60s, and 70s. A lot of them shot 35 mm. Compared to today’s optics, most of them, on close inspection, look like they were shot through Coke bottles. Doesn’t matter. The photographs were astounding. Seurat: I have been very fortunate to have seen “Sunday Afternoon on the island of La Grande Jatte, 1884” at the Institute of Art in Chicago. Being able to stand close to it taught me a lot. But, as I’ve said most of my influencers, at least for landscapesque photography, dealt in pigments rather than pixels or photosensitive material. On a somewhat parallel subject, a very fun read as a book by at the American humorist, Christopher Moore. The book is called “Sacre Bleu.“ it’s a fictional story set in the impressionist era. At a book signing, he said that researching it changed his life. There is a website that goes along with the book that shows more paintings and a great deal of description by him of his research. However, part of the website corresponds to a chapter in the book and contains spoilers. So you want to read a chapter before you look at the corresponding part of the website. Moore’s writing is peculiar: it can be almost slapstick one moment and three sentences later contain a great deal of tenderness and insight. I find it most enjoyable.

      Liked by 1 person

  5. I’m certainly in agreement with the comments about noise and sharpness – it can be a trap! We’ve lost a lot of the emotional content and power of art with the emphasis on technology. There needs to be a balance. Also, it’s good to keep experimenting and pushing the envelope, which you are doing. 🙂

    Liked by 1 person

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