July 12, 2020 — Marin County, California More playing around with ICM while waiting for NEOWISE to appear. And playing around with editing. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
July 12, 2020 — Marin County, California Or, playing around with ICM while waiting for NEOWISE to appear. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
July 14, 2020, 9:49 p.m. — San Mateo County, California My second shot at it. Not bad. I’m glad it will be around a bit longer. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)
July 10, 2010. San Gregorio Bluffs, San Mateo County, California. On my way from Silicon Valley to San Francisco, I decided on the spur of the moment to take the scenic route. Web Cam showed some coastal clouds and I was hoping to get a sun-dappled sea. All I had with me was trusty MiniCam™ — my Canon G5X II. (The best camera is the one you have with you, so have something decent with […]
Dec 7, 2018. Chimney Rock Trail, Point Reyes National Seashore, California. The cliffs over Drakes Bay stand perfectly still. They can be a moving experience. (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.)
Dec 24, 2018. Sonoma County Coast, California. Hidden in the Archives, waiting to be coaxed into being. Took some coaxing, but I believe the pixels are happy. (This is exactly what I said in the June 8, 2020 post. This shot was taken 54 seconds later. The technical info is corrected here, though.) (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 26, 2020 —Side of Mt.Tamalpais, Above Stinson Beach, Marin County, California ICM impression of an incoming fog bank. Years ago, someone — who was so much younger then — wondered what it was like to be inside a cloud. Years before that, another person — who was sooo much younger then — wondered what it was like to be inside the rings of Saturn. In both cases, wondering was more fun. A reminder that […]
June 26, 2020 —Above Stinson Beach, California On a bluff a hundred feet above a very calm Pacific. The summer fog was advancing. Fifteen minutes later there was nothing to see; the ocean was but a distant sound. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 26, 2020 — Mt. Tamalpais, Above Stinson Beach, California More ICM. Less abstract, more impressionist, than a lot of what I do. Still under the thrall of the nineteenth century. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
Jan 18, 2012 — Sonoma County Coast, California An old favorite reimagined. If you look, you’ll see Point Reyes way off in the distance. The sky is creamy. The best camera is the one you have with you. The Canon S95 was one of the first pocket cameras to have a larger sensor, allow full adjustments including Manual, and to provide RAW files. The RAW files were only 8-bit, which didn’t allow much flexibility in […]
June 19, 2020 — Point Reyes National Seashore, California Frozen not by temperature, but by time. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 19, 2020 — Point Reyes National Seashore, California . . .Had Turner been on the beach at Point Reyes with a camera. Which, of course, he wasn’t. This is an experiment in ICM — Intentional Camera Motion. As one might expect, the subject was moving as well, as waves are wont to do. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 19, 2020 — Point Reyes National Seashore, California The summer ocean is not as rambunctious as the winter ocean. But when you get close, interesting things happen. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
July 14, 2011, San Jose Blues Festival, San Jose, California. Here’s a secret: I really enjoy doing performance photography. But it’s not a concentration: I’ve only posted performance photography twice before. The first was in my fourth blog post ever, on November 30, 2018. Today, for reasons that might already be obvious, I’ve decided to post another. This is Ruthie Foster. She grew up with music in her genes and in her early teens she […]
August 13, 2006, Big Sur Coast, California / June 17, 2020, Silicon Valley, California Several months ago, Bruce Percy inverted some of his images to create, essentially, photo negatives. It worked rather well. I thought I’d try it. (Canon 20D, Canon 24-105 f/4 Zoom. Editing in Adobe Photoshop.)
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