September 7, 2019 — Lake Tahoe. Getting later. Getting darker. I opened up to f/10 to let in a little more light, and let it go for 10 seconds at ISO 64. Click. Slow pan to the left and back to the right. Clack. In dealing with abstracts, all of the hard-and-fast “rules” go out the window. The only consideration left in post-processing is “what do I want to show?” Something in the image suggests […]
August 6, 2019; Vevey, Switzerland. I promised another shot from this dizzying, dazzling, drenching day and here it is. Looking south from Vevey, twenty-three minutes after the first shot posted on August 7, facing the same direction. As the weather speculators are fond of saying, “rapidly changing conditions.” Quite a few pixels had their lives subtly but permanently altered on this one — all for a good cause. (Canon G7X II. RAW processing in DxO […]
August 6, 2019; Vevey, Switzerland. While archiving shots from Europe, I came across this gem. It harkens back to the August 7 post. It was taken about two hours before the blue one near the bottom of that post. It pays to go back over old shoots: I’m still discovering work from that trip. There are more images of this magic two and a half hours and you may well see some in the future. […]
August 18, 2019; Estoril, Portugal. Just starting the third cup of coffee and another pastel de nata. Back to the conversation. I had put the camera away. Then I looked up and got it out again. (Check yesterday’s post to see how this started.) (Nikon D500, Tamron 100-400mm f/4.5-6.3 Di VC USD. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.)
August 18, 2019; Estoril, Portugal. Balmy morning on the balcony, enjoying coffee with my wife’s brother and family. It had been a sunny morning, but as we got into the second cup, the fog came in. This is different. Where I come from, a second cup makes the fog go away. (Nikon D500, Tamron 100-400mm f/4.5-6.3 Di VC USD. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.)
August 12, 2019; Northwest of Locarno, Switzerland — September 6, 2019; Silicon Valley. It was a turbulent night. I awoke at 4:00 a.m. and stared at the ceiling, thinking, “it’s too dark.” But it wasn’t the ceiling I was thinking of. It was the image I’d just posted on the blog afew hours earlier. And there were other things too: Was the foreground too severe? Does it focus the viewer’s attention enough? The tones, tones, […]
August 12, 2019; Northwest of Locarno, Switzerland. It was a dark and stormy day; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the valley (for it is in Italian Switzerland that our scene lies), rattling along the housetops, and fiercely agitating the water-logged photographer who struggled against the torrent. But then, a break in the clouds, which was of benefit, […]
August 9, 2019; Totensee. The sky was subject to rapid mood shifts: this was shot just fifty-two seconds after the image in the last post. It was post-processed after arriving home following a week in London immersed in Constable, Turner, and Monet. Rothko too, of course. Inspired by Constable’s clouds, Turner’s unfinished landscapes and seascapes, Monet’s monochrome* winter scenes, and a good dose of minimalism from Mr. Rothko, this is one version of what came […]
August 9, 2019; Totensee. And yes, the sky was moody. (Canon G7X II. RAW processing in DxO PhotoLab 2, Editing in Adobe Photoshop.)
August 11, 2019; East end of Stellisee, Switzerland. Think of Switzerland and you think of the Matterhorn. Probably when you think of a mountain you think of something like the Matterhorn. The quintessential mountain. And this is the quintessential shot between two rocks at the end of the lake. The Stellisee is about ten miles — line of sight — from the Matterhorn. People line up to get their shot from this exact spot. This […]
August 7, 2019; Above Vevey, Switzerland. After our day at the Fête des Vignerons, we spent a few early pre-breakfast hours in the vineyards above Vevey. The sky was still shaking off its storminess. And when I turned around, wine on the vine. Stay tuned… (Nikon D850; Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO Pro; Editing in Adobe Photoshop.)
August 6, 2019; Vevey, Switzerland. Our first week in Switzerland was spent visiting old friends and meeting new ones. Wonderful in all ways, and proved just how friendly Switzerland really is, but not terribly productive photographically. On August 5 we began our workshop with Oliver Klink. It was a great day, and I learned some valuable lessons, but no keepers. August 6, however, was different. It was special in many ways. You’ll see how the […]
Camera movement, not by accident. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 2.3; Editing in Adobe Photoshop.) More fine art photography at www.amagaphoto.com
June 28, 2018, Northwest of Dunedin, New Zealand. After the photography workshop, we rented a car and headed southeast from Queenstown to Dunedin and then took a week to drive all the way up the east coast of the South Island. We fell in love with Dunedin, which reminded us a little of San Francisco — although it beats San Francisco by having the steepest street in the world. While there we took a tour […]
June 25, 2018, Peter’s Lookout, Mount Cook Road, New Zealand. Lake Pukaki is fed by the runoff of two glaciers. The fine silt in the runoff, known as glacial flour, makes the water turquoise. Take a look at satellite photos of the Southern Island and it will stick out like a turquois thumb. We stopped for a lunch break on the way to Lake Tasman and fed our stomachs and our cameras. These two photos […]
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