Seurat/Rothko

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes / Sunset

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April 15, 2015 — Windy Hill, Woodside, California

I was going to post something else today, but a look at an Instagram post by Óli Haukur inspired me to show this instead.

Oli made the point that most photography instructors stress low ISO settings for low noise and therefore “best” image quality. Image quality these days seems to be based solely on low noise and extreme sharpness. His opinion is that, based on these criteria, many images come out so clean as to look computer-generated. The words I use are “plastic” and “clinical.”

I think that’s fine if that’s what you really want. I don’t usually want it. Usually when I’m working on images, I’m careful not to use too much noise reduction for that exact reason. I intentionally leave a bit of noise in the picture and I often selectively soften parts of my pictures.

In light of that, it doesn’t seem so ironic that as a photographer, many of my influences are painters. Mark Rothko is one, as many of you know. But Georges Seurat is another. He is considered to be the father of pointillism — the use of small dots of pure color to create a picture.

This view of the distant ocean horizon was shot long after sunset, hand-held. The ISO was 5000. It looked pretty blah right out of the camera, but in the contrast between ocean and sky I saw a potential for something more abstract and Impressionist. To that end, I cranked up the vibrance and saturation to make the colors bolder than bold and turned the noise reduction off completely. Then to really bring it home I used “too much” unsharp mask the increase the noise.

And there you go. An homage to two painters at once. It wouldn’t have worked without the noise. Ask Georges.

(Nikon D750; Nikon 28-300mm f/3.5-5.6G ED VR Zoom. RAW processing in DxO PhotoLab 3.2. Final editing in Adobe Photoshop.)

Texture and Tone. Alone.

comments 21
Abstract / California / Impressionism / Inspiration / Photo Log / Photography / Seascapes

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January 10, 2016 — Marin County coast, California

Many years ago — longer ago by far than when this picture was shot — someone close to me was enthralled by music that was extremely minimalist, consisting almost entirely of texture and tone. Very little form, rhythm, or melody. Only texture and tone. Although I can’t really say I liked it, I had an appreciation for what he was hearing because he and I are cut from similar pieces of spiritual cloth. But what he was hearing, I was seeing.

We’ve both moved on from texture and tone alone, but it still lives deep within us.

(Nikon D750; Nikon 28-300mm f/3.5-5.6G ED VR Zoom. RAW processing in DxO PhotoLab 3.2. Final editing in Adobe Photoshop.)

Scale

comments 35
California / Inspiration / Landscape / Monochrome / Photo Log / Photography / Seascapes

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February 9, 2020 — East Bay Hills, California

The San Francisco Bay Area abounds with breathtaking views. The views from the hills across the Bay from San Francisco are among the best — looking straight back across the Bay.

The Golden Gate Bridge is an impressive feat of engineering and construction. When it was built in 1937, it was the longest suspension bridge in the world. It has since been surpassed, but the main span of 4,200 feet (1,280 meters) is still worthy of awe.

But then there’s this cloud…

(Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

Peak of the Season Poppy

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Abstract / California / California Poppy / Floral Photography / Flower / Impressionism / Inspiration / Nature / Photo Log / Photography / Poppy

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March 18, 2016, Los Gatos Creek Trail, Campbell, California. Not the peak of this season. Can I believe it was four years ago? I can. It was.

Be well. Do Good. Be kind. Create.

(Nikon D750; Nikon 28-300 f/3.5-5.6G Zoom. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

Londrangar Horizon, Take Two

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Iceland / Impressionism / Inspiration / New Zealand / Photo Log / Photography / Seascapes

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January 24, 2020 — Londrangar View Point, Snaefellsjökull Peninsula, Iceland

I think I’ve only done this once before: posted that same frame twice in a row, with the second being a re-do. There’s a story.

When I posted this picture the other night, I decided at the last minute that the image was too dark. It was late and I was in a hurry, so I simply went back to the 16-bit Photoshop file and adjusted the Levels slider to lighten it up a bit and made a re-sized new 8-bit jpg for the blog. Not really the right tool for the job because the Levels slider alters the tonal balance, but it was too late at night and I was too tired to do it the right way. So I posted it. Close enough, I said to myself. I continued to think about it as I stumbled off to sleep. “No, not close enough,” I thought as I finally closed my eyes.

Despite my private misgivings, the picture got very nice feedback — for which I am grateful — but it just wasn’t what I wanted. Also, WordPress has a way with subtle colors that borders on outright assault and my quick-and-dirty adjustment gave it the the opportunity to have its evil ways* with it.**

Yesterday I took a close look and discovered other color distortions in my Photoshop master file, introduced by my own overenthusiastic use of vibrancy on the sky. Unacceptable.

So I did what I should’ve done in the first place: took it all the way back to the RAW file, made a virtual copy in DxO and had another bash at it. This time I brightened it the right way by raising the Exposure slider, which preserved the tonal balance while making the image brighter. (I confirmed the brightening later when I exported the developed RAW file to Photoshop and made the background white to simulate paper to see what it looked like there.) While I was still in DxO I brought the vibrancy in the sky back down to get rid of the color distortions that I’d inadvertently caused in the first version in a misguided attempt to make the sky richer, and made a couple of local contrast tweaks.

I let it go overnight to let it breathe and took another look in the morning. A couple of localized contrast adjustments — tiny — brought out the barely discernable reflections in the water and at the same time improved the tonal balance between water and sky. Looked at it one last time against dark gray, light gray, black, and white backgrounds in Photoshop to again be sure it was light enough but not too light, cropped it, and it was a wrap.

Now I can sleep.

Thank you for your indulgence.

Be well. Do good. Create.

(Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. ISO 64, 20 sec at f/16; 6-stop neutral density filter. RAW processing in DxO PhotoLab 3.2; Further editing in Adobe Photoshop.)

For more Seascape Horizons, see amagaphoto.com

 

*You’ve got to change your evil ways, WordPress

Your blues are warm and your pinks are cold.

You’re messin’ ’round, WordPress

With middle grays and-a who knows what

I’m tired of tweaking and fooling around

I’ll post a photo that’s already dumbed down

This can’t go on…

Lord knows you got to change.

 

**No guarantee it won’t do it again with this new version but making the adjustments the right way should help. Fingers crossed.

PS. This is my 200th post.

The One That (Almost) Got Away

comments 18
Iceland / Impressionism / Inspiration / Photo Log / Photography / Seascapes

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January 24, 2020 — Londrangar View Point, Snaefellsjökull Peninsula, Iceland

Beside the fact that it was his photography workshop in the first place, I have Gary Hart to thank for this one in another way. His blog post today* prompted me to go back and review my own version of the same scene, and when I did, I came across this shot made about fifteen minutes earlier.

I’d overlooked it because the RAW file seemed kind of bland. But this time I saw potential that I didn’t see the first dozen times I looked at it — and with a modest amount of work in DxO and nothing but a crop in Photoshop, here it is.

Taken in the context of my last few posts, are we seeing a theme here?

Be well. Do good. Create.

(Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. ISO 64, 20 sec at f/16; 6-stop neutral density filter. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

For more Seascape Horizons, see amagaphoto.com

*He’s right. It was cold. The thermometer reading wasn’t so bad; it was the thirty mile-per-hour wind and the stinging snow that was the source of the big chill. But the best photography happens in the worst weather.

Crowning Glory

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Abstract / California / Impressionism / Inspiration / Photo Log / Photography

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November 23, 2019 — Pescadero Beach, San Mateo County, California

I’ve worked on this image six times between November and now. It was never quite right.

Sometimes when I don’t love an image, it’s because I’ll never love it and the best thing to do is abandon it and move on. Other times, I just need to leave it alone for a while and come back with a fresh perspective. This was the latter circumstance and I knew it would be.

(Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

Look Enough And You’ll See

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California / Impressionism / Inspiration / Photo Log / Photography / Seascapes / Sunset

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December 24, 2018, Sonoma County Coast. I’ve looked at this frame approximately 9,476 times* and failed to see its potential. Today, I saw it with different eyes.** Don’t it make my brown eyes blue. Except they are blue.

Be well. Do good. Be kind. Create.

(Nikon D500; AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

*If I’ve told you once, I’ve told you a million times — I never exaggerate.

**What a difference a crop makes.

Chalk Light

comments 25
Abstract / California / Impressionism / Photo Log / Photography / Seascapes

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May 8, 2015. Devil’s Slide, near Pacifica, California. Another hidden treasure from the archives, this one from a memorable shoot on Devil’s Slide.

When I was in high school, one of my favorite things to do was sketching with chalk on black paper. When I look out to sea, my favorite thing to see is a streak of light on the horizon.

Reminds me of chalk. Reminds me that even then I was seeking to strip away everything but the essence.

Be well. Do good. Create.

(Nikon D750; Nikon 28-300 f/3.5-5.6G Zoom. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

For more Seascape Horizons, see www.amagaphoto.com

A Remarkable Day — Quicksilver Sea

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California / Inspiration / Photo Log / Photography / Seascapes

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December 23, 2017, Sonoma County Coast. This was taken about two hours before the shot in the last post. This is what this most remarkable day looked like. No post-processing except to straighten the horizon 1/10 degree (hand-held shot) and tone down the white at the top of the frame a just as tiny little bit. That’s it. It was a quicksilver sea. The Pacific was living up to its name.

Be well. Be kind. Do Good. Create.

(Nikon D500; Nikon 28-300 f/3.5-5.6G Zoom. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

Beyond

comments 18
Abstract / California / Impressionism / Photo Log / Photography / Point Reyes / Seascapes

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Dec 8, 2014 — Point Reyes National Seashore, California

Another archive dive. The image came to me in a dream recently. There was nothing special about the original shot — but today I was in search of a good starting point. Those pixels never knew what hit them…

Be well. Do good. Create.

(Canon 7D, Sigma 18-200 f/3.5-6.3 DC Macro OS HSM. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

There is a Place

comments 19
Impressionism / Inspiration / Photo Log / Photography / Seascapes

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Dec 6, 2013 — Sonoma County Coast, California

An archive dive. Taken within a few minutes of one that I posted nearly a year ago. An idealization / abstraction / impression of reality. The lives of many pixels were changed forever…

Be well. Do good. Create.

(Sony RX-100. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)

(WordPress has altered the tones on this. Click/tap on the image for a better rendition. I hope.)