June 26, 2020 — Mt. Tamalpais, Above Stinson Beach, California More ICM. Less abstract, more impressionist, than a lot of what I do. Still under the thrall of the nineteenth century. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
Jan 18, 2012 — Sonoma County Coast, California An old favorite reimagined. If you look, you’ll see Point Reyes way off in the distance. The sky is creamy. The best camera is the one you have with you. The Canon S95 was one of the first pocket cameras to have a larger sensor, allow full adjustments including Manual, and to provide RAW files. The RAW files were only 8-bit, which didn’t allow much flexibility in […]
June 19, 2020 — Point Reyes National Seashore, California Frozen not by temperature, but by time. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 19, 2020 — Point Reyes National Seashore, California . . .Had Turner been on the beach at Point Reyes with a camera. Which, of course, he wasn’t. This is an experiment in ICM — Intentional Camera Motion. As one might expect, the subject was moving as well, as waves are wont to do. (Nikon D850, Nikon 24-120mm f/4G VR. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
June 19, 2020 — Point Reyes National Seashore, California The summer ocean is not as rambunctious as the winter ocean. But when you get close, interesting things happen. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
August 13, 2006, Big Sur Coast, California / June 17, 2020, Silicon Valley, California Several months ago, Bruce Percy inverted some of his images to create, essentially, photo negatives. It worked rather well. I thought I’d try it. (Canon 20D, Canon 24-105 f/4 Zoom. Editing in Adobe Photoshop.)
August 13, 2006, Big Sur Coast, California / June 27, 2017, Silicon Valley, California Gray day. The streak on horizon was the appeal. It was all there was. Shoot. Crap shoot, really. This was long before I was shooting RAW, so no direction home in editing. Gray on gray on gray. Blah. Nothing. Ain’t it hard when I discovered that it really wasn’t where it’s at… It sat in archives for almost nine years. One […]
June 13, 2020. Silicon Valley, California. Submit. v. tr. 3. To present (something) to the consideration of judgement of another. Most of the other definitions involve demeaning oneself. Not something I cotton to. But that is the word used when one enters work into a juried exhibition and so that’s what I spent the better part of the past two days working on: selecting the works that I felt best represented the theme, on the […]
Feb 7, 2013. Sonoma County Coast, California. It is rare that I re-post an image. It was calling to me and I could not turn a deaf ear. And it’s rare that the entire scene is blue. But it was. Check this link for the full story. (Sony RX-100. RAW processing in DxO Pro; Editing in Adobe Photoshop.)
Dec 24, 2018. Sonoma County Coast, California. Hidden in the Archives, waiting to be coaxed into being. Took some coaxing, but I believe the pixels are happy. (Nikon D850; Tamron 24-70 f/2.8 DI VC USD Zoom. RAW processing in DxO PhotoLab 3.3; Editing in Adobe Photoshop.)
Dec 5, 2015. Big Sur Coast, California. As with yesterday’s post, a storm was on its way. Richard and Mimi Fariña were singing in my ear. The Muse and Chewy were enjoying the breeze. Turner was breathing down my neck. (Nikon D750; Nikon 28-300 f/3.5-5.6G Zoom. RAW processing in DxO Photo Pro; Editing in Adobe Photoshop.)
January 17, 2012 — Sonoma County Coast, California Returning with new eyes to a shot taken eight years ago. I’ve just competed a series of webinars by Bruce Percy. He describes himself as a black and white photographer working in color. His sensitivity to tonal balance is inspirational and very instructive. This shot is pretty much the same as the way I left it the last time I worked on it almost three years ago, […]
June 28, 1018 — Cape Saunders, Otago Peninsula, South Island, New Zealand If you go due south from this spot, you’ll come to Antarctica. If you go due east, you’ll hit South America. Either way, it’s chilly. It wasn’t all that warm right where we were on this winter afternoon, either. This is sort of how it looked. Kind of. (Nikon D850, Tamron SP 24–70mm f/2.8 Di VC USD G2. RAW processing in DxO PhotoLab 3.2; […]
May 8, 2015. San Francisco, California. And it’s a fair wind Blowin’ warm out of the south over my shoulder Guess I’ll set a course and go (Nikon D750; Nikon 28-300 f/3.5-5.6G Zoom. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.)
November 27, 2019 — San Mateo County, California Same day as yesterday, rendered today, for tomorrow. (Nikon D500, Tamron 100–400mm f/4.5–6.3 Di VC USD. RAW processing in DxO PhotoLab 3.2; Editing in Adobe Photoshop.) WordPress has its way with the colors.
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